Luiz Eça, initially known for his pivotal role in Tamba Trio and later Tamba 4, carved a unique path in Brazilian music by fusing classical piano training with jazz, pop, and bossa nova. This innovative blend evolved, culminating in an eclectic and distinctive sound.
In 1970, Eça embarked on a remarkable project, “La Nueva Onda del Brasil,” collaborating with a supergroup of Brazilian musical luminaries known as La Familia Sagrada (The Sacred Family). This ensemble boasted an impressive roster of talents, including Joyce, Nana Vasconcelos, Zeca do Trombone, Mauricio Maestro, Claudio Roditi, and even a guest appearance by Wilson Simonal on Jorge Ben’s ‘Pais Tropical.’ The album, however, remained obscure for years, eventually seeing a release on Rogelio Villareal’s small Mexican label, RVV. RVV, associated with the Camino Real hotel chain owned by Villareal, primarily distributed its records as exclusive souvenirs within the hotel premises. La Familia Sagrada reportedly toured Mexico, performing at various Camino Real locations during this period.
The extremely limited distribution and absence of a Brazilian or wider international release cemented “La Nueva Onda del Brasil” as a highly coveted record. It attained cult status among global collectors of Brazilian music, prized for its rarity and unique sound.
“La Nueva Onda del Brasil” is a treasure trove of both familiar standards and original compositions. The performances are characterized by a liberatingly free style, blending dynamic arrangements with delicate vocal harmonies. It represents a sophisticated evolution of bossa nova, deeply intertwined with jazz sensibilities and punctuated by an Afro-samba rhythmic drive. This album stands as a testament to La Familia Sagrada‘s artistry and remains a samba jazz masterpiece, waiting to be rediscovered by a wider audience.
