When discussions arise about intertextuality, animated comedy shows like Family Guy, South Park, and American Dad often take center stage. These shows thrive on their ability to connect with and satirize current events and public figures. A recent example is South Park‘s season 24 opener, which humorously navigates the characters’ experiences during the COVID-19 pandemic.
However, these shows frequently venture into parodying well-known franchises, and Family Guy‘s Star Wars specials stand out as a prime example. At first glance, these specials might appear as straightforward parodies of the Star Wars saga, particularly A New Hope. Yet, the intertextuality woven into these episodes elevates them beyond simple imitation, drawing from a rich tapestry of references, including other parodies of the same iconic movie.
Take Stewie Griffin’s portrayal of Darth Vader, for instance. His oversized helmet is a clear nod to Spaceballs, Mel Brooks’ cult classic parody of Star Wars. This single visual gag layers intertextual references, acknowledging not just the original Star Wars but also its parodic interpretations.
This layered approach to intertextuality extends beyond visual cues. Consider Lois Griffin’s portrayal of Princess Leia, who famously declares she isn’t wearing underwear. This line isn’t merely a random joke; it’s a direct reference to the well-known anecdote about Carrie Fisher’s wardrobe (or lack thereof) on the set of Star Wars Episode IV. Legend has it that George Lucas advised Fisher against wearing underwear in space, a quirky detail that has become part of Star Wars lore. Family Guy‘s inclusion of this detail adds another layer of depth to their parody.
George Lucas and Carrie Fisher on set of Star Wars
These intertextual connections are what distinguish Family Guy‘s Star Wars specials from mere parodies. They are not just satirical copies of A New Hope; they are complex tapestries of references, weaving together the original source material with its cultural impact, behind-the-scenes stories, and even other parodies. This intricate web of connections makes these specials a fascinating study in how animated comedy can utilize intertextuality to create something far richer and more nuanced than a simple spoof.
