Funniest Family Guy Episodes: A Ranked Guide

Love it or hate it, Family Guy remains a cartoon phenomenon, sparking debate and laughter for over two decades. Seth MacFarlane’s creation centers on the Griffin family in Quahog, delivering irreverent humor through Peter, Lois, Meg, Chris, Stewie, and Brian’s bizarre lives.

Known for its sharp pop culture references and satirical take on society, Family Guy has maintained its edge since 1999. With hundreds of episodes, some truly stand out for their comedic brilliance. If you’re ready for some unhinged Quahog chaos, here’s a guide to the funniest Family Guy episodes, ranked for your viewing pleasure.

25. “McStroke” (Season 6, Episode 8)

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The episode “McStroke” hilariously begins with Peter Griffin suffering a stroke induced by excessive burger consumption. His subsequent lawsuit against the fast-food chain provides plenty of laughs, particularly highlighting Peter’s absurd love for mustaches. However, the true comedic gold lies in the subplot: Stewie attempts to infiltrate high school and become popular within a week, much to Brian’s skepticism. Despite Seth MacFarlane’s absence as writer due to the WGA strike, “McStroke” delivers classic Family Guy absurdity and remains a fan favorite.

24. “Stewie Loves Lois” (Season 5, Episode 1)

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While titled “Stewie Loves Lois,” this episode balances Stewie’s newfound, albeit obsessive, affection for his mother with Peter’s equally outrageous storyline. Peter, convinced his prostate exam was a sexual assault, rallies the town against his doctor. The humor comes from the relatable parental struggle of Lois dealing with Stewie’s sudden clinginess and the cringe-worthy, yet funny, depiction of Peter’s medical paranoia. These seemingly unrelated plots surprisingly harmonize, amplifying the comedic impact of each narrative, even when delving into uncomfortable and private areas.

23. “FOX-y Lady” (Season 7, Episode 10)

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“FOX-y Lady” directly tackles the long-standing dynamic between Seth MacFarlane’s liberal viewpoints and the conservative Fox network. Lois becomes a Fox News reporter and quickly learns about the network’s right-wing bias, particularly concerning figures like Rush Limbaugh. The episode shines with self-deprecating humor from guest stars like Seth Rogen, Fred Savage, and Fox executive Peter Chernin himself. Adding to the comedy is Peter’s subplot, where he hilariously attempts to pitch a cartoon called Handi-Quacks, guaranteed to lift spirits with its sheer absurdity.

22. “To Love and Die in Dixie” (Season 3, Episode 12)

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“To Love and Die in Dixie” is broadly funny, especially for those familiar with the American South. After Chris witnesses a crime, the Griffins enter witness protection, relocating to the Deep South. The episode delivers rapid-fire jokes targeting Southern culture, from Civil War references to stereotypes about same-sex relationships. Beyond mere satire, the episode develops characters and Family Guy‘s storytelling, making it more than just a series of regional jokes.

21. “Petarded” (Season 4, Episode 6)

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Season 4 marked Family Guy‘s successful revival after cancellation, and “Petarded” exemplifies its bold humor. Peter is diagnosed as intellectually disabled, a premise that could be offensive. However, the episode avoids mocking developmental issues, instead focusing on Peter’s characteristically flawed reaction. He misinterprets his diagnosis as superiority, leading to outrageous and inappropriate behavior, highlighting his ego rather than genuinely making fun of intellectual disabilities.

20. “Emmy-Winning Episode” (Season 16, Episode 1)

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Family Guy, while nominated for numerous Emmys, often in voice-over and animation categories, has never won for Best Comedy. “Emmy-Winning Episode” is Seth MacFarlane’s comedic vent about this perceived snub, channeled through Peter. The episode satirizes “Emmy bait” shows, with the Griffins desperately imitating award-winning series to gain recognition. It’s a meta-commentary on award show trends and the nature of comedy itself, prompting viewers to question what kind of humor is deemed “worthy” of accolades.

19. “Leggo My Meg-O” (Season 10, Episode 20)

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Family Guy‘s parody prowess extends to the Taken franchise in “Leggo My Meg-O.” Peter Griffin embodies Liam Neeson when Meg is kidnapped in Paris. This episode is a loving spoof of Taken, but it also satirizes the revenge genre. While the “Meg is the worst” gag is a series staple, this episode gives Meg center stage, allowing Mila Kunis to showcase her voice acting talent in a more prominent role, even amidst the parody.

18. “The Thin White Line” (Season 3, Episode 1)

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“The Thin White Line” is a standout episode, arguably better than its two-part sequel. Brian attempts to overcome his depression by becoming a police drug-sniffing dog. However, he falls into addiction himself, jeopardizing his life. While the episode parodies police procedural clichés, the real humor comes from Peter’s attempt to enter rehab, mistaking it for a luxurious cruise. This contrast provides classic Family Guy comedic juxtaposition.

17. “The D in Apartment 23” (Season 16, Episode 6)

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“The D in Apartment 23” demonstrates Family Guy‘s continued relevance. Brian’s Twitter antics lead to cancellation after a poorly-received, racially insensitive joke. The episode satirizes modern “cancel culture,” culminating in Brian facing a mob demanding accountability for his online transgressions. This brief but pointed commentary touches upon the extremes of identity politics and the rapid condemnation prevalent in online spaces.

16. “Death Is a Bitch” (Season 2, Episode 6)

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“Death Is a Bitch” is conceptually simple yet brilliantly executed. When Death, personified, is injured due to Peter’s clumsiness, he recuperates at the Griffin household. This leaves Peter to temporarily take over the role of reaping souls. While the writing is sharp, the episode’s highlight is Norm Macdonald’s voice acting as Death. His dry delivery and comedic timing are as effective as Death’s scythe, capturing Macdonald’s comedic genius.

15. “Blue Harvest” (Season 6, Episode 1)

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Seth MacFarlane’s Star Trek fandom is well-known, but “Blue Harvest” is a loving and hilarious parody of Star Wars. This episode recreates scenes from A New Hope, shot-for-shot, with Family Guy characters in iconic roles. It answers the question: how would Peter Griffin handle the Millennium Falcon like Han Solo? Whether you’re a Family Guy enthusiast or a Star Wars fan, “Blue Harvest” offers a unique and ambitious comedic reimagining.

14. “Road to the North Pole” (Season 9, Episode 7)

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“Road to the North Pole” blends elements of “A Very Special Family Guy Freakin’ Christmas” and “Stewie Kills Lois.” Another Brian and Stewie “Road to” episode, this time Stewie intends to kill Santa Claus. Their journey reveals the joy of helping others and the pitfalls of greed. It’s a surprisingly heartwarming Family Guy episode, delivering a unique brand of holiday cheer without sacrificing the show’s signature raunchy humor.

13. “Three Kings” (Season 7, Episode 15)

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“Three Kings” showcases Family Guy‘s versatility by stepping outside its usual format. With Stephen King’s blessing, the episode parodies three King adaptations: Stand by Me, Misery, and The Shawshank Redemption. Cameos from Richard Dreyfuss and Roy Scheider enhance the parodies’ authenticity. Reportedly praised by Stephen King himself, “Three Kings” is a testament to Family Guy‘s ability to blend its humor with established narratives effectively.

12. “Road to Rhode Island” (Season 2, Episode 13)

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“Road to Rhode Island” was a landmark episode, marking Brian and Stewie’s first “Road to” adventure. Brian seeks closure about his past by visiting the puppy mill where he was born. Despite the serious premise, the episode is filled with classic Family Guy gags, including a memorable musical number. It established the recurring “Road to” format, making it a significant episode in Family Guy history and one of the funniest road trip episodes.

11. “Yug Ylimaf” (Season 11, Episode 4)

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“Yug Ylimaf,” titled palindromically as “Family Guy” spelled backward, is another Brian and Stewie adventure. Stewie discovers Brian misused their time machine for bar hookups. Brian’s actions threaten the space-time continuum, forcing them to team up and fix it. References to past episodes will delight long-time viewers, and the episode is another homage to Star Trek-style storytelling that Seth MacFarlane appreciates.

10. “Airport 07” (Season 5, Episode 12)

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“Airport 07” places Quagmire in an unusual career crisis. After Peter gets Quagmire fired from his pilot job, Peter’s attempts to help him find new work lead to disastrous and life-threatening situations. This episode is quintessential Family Guy, featuring a Hugh Hefner cameo, cutaway gags, and pop culture references that guarantee laughter. It’s a hilarious exploration of Quagmire outside his usual womanizing antics.

9. “Meet The Quagmires” (Season 5, Episode 18)

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While “Back to the Pilot” is a better Back to the Future parody, “Meet The Quagmires” is a close second. Peter, regretting his early marriage, travels back in time to experience single life. This results in an alternate timeline where Quagmire marries Lois. Peter must fix the timeline to reclaim his marriage. Amidst the typical crude humor, the episode surprisingly shows Peter realizing his appreciation for Lois, adding an unexpected layer of sweetness to the comedic chaos.

8. “Lois Kills Stewie” (Season 6, Episode 5)

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In “Lois Kills Stewie,” the follow-up to “Stewie Kills Lois,” Stewie becomes a fugitive after Lois exposes his attempted murder. He escalates his villainy, aiming to take over the world. The episode features American Dad cameos and humorous Brian-Stewie interactions, particularly their meta-discussion on fake-out endings. The episode’s core comedic strength lies in showcasing the genuinely unsettling and absurd scenario of Stewie’s world domination, fulfilling his long-threatened evil ambitions.

7. “Stewie Kills Lois” (Season 6, Episode 4)

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“Stewie Kills Lois” is provocative in title but delivers on its premise. Stewie, challenged on his unfulfilled threats against Lois, seemingly murders her. This sets off a chain of events leading everyone to believe Peter killed Lois for insurance. The episode is rich in character moments, especially for Stewie, exploring how achieving his dark ambitions ironically undermines his identity, a surprisingly introspective element for a Family Guy episode.

6. “The Simpsons Guy” (Season 13, Episode 1)

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A crossover between Fox animation giants The Simpsons and Family Guy was inevitable. “The Simpsons Guy” sees the Griffins in Springfield after Peter offends Quahog with a comic strip. The families bond – Stewie and Bart cause mischief, Lisa mentors Meg, and Homer and Peter clash over beer. The episode is full of comedic interactions between the two families and spawned the enduring Simpsons meme of Ralph Wiggum cheerfully saying “I’m in danger.”

5. “And Then There Were Fewer” (Season 9, Episode 1)

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The Season 9 premiere, “And Then There Were Fewer,” takes a bold step outside Quahog. Set at a murder mystery dinner party in James Woods’ mansion, the episode boasts a star-studded guest cast including Drew Barrymore, Ashley Tisdale, Patrick Stewart, and James Woods himself. The setting enhances the murder mystery plot, and James Woods’ self-deprecating humor elevates the episode beyond typical Family Guy reference-based comedy, creating a unique comedic synergy.

4. “Road to the Multiverse” (Season 8, Episode 1)

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“Road to the Multiverse” predates the current multiverse trend, sending Stewie and Brian through alternate realities with Stewie’s remote. The episode explores hilarious alternate Family Guy worlds, from a Disney-esque universe to one ruled by dogs. The sheer creativity and comedic potential of these alternate dimensions make “Road to the Multiverse” a consistently funny and inventive episode.

3. “Da Boom” (Season 2, Episode 3)

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“Da Boom” highlights Family Guy‘s early brilliance, referencing the Y2K panic. Peter, fearing Y2K, forces his family into hazmat suits in the basement. Unlike reality, Y2K causes a nuclear apocalypse, followed by Peter becoming the mayor of a new, worse Quahog. This episode is memorable for introducing the Peter-chicken fight and for being Mila Kunis’ debut as Meg’s voice, marking a significant moment in Family Guy history.

2. “PTV” (Season 4, Episode 14)

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“PTV” exemplifies Family Guy‘s meta-humor. Peter, reacting to FCC censorship after Janet Jackson’s Super Bowl incident, creates his own uncensored TV network, PTV. As PTV succeeds, Lois worries about its impact, while censorship intensifies. The episode satirizes FCC regulations and the censorship-entertainment dynamic, delivering humor and social commentary in classic Family Guy style.

1. “Back to the Pilot” (Season 10, Episode 5)

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“Back to the Pilot” is a multifaceted Family Guy masterpiece: a Back to the Future parody, a Star Trek homage, and a sequel to “Road to the Multiverse.” Brian and Stewie travel back to 1999, Family Guy‘s premiere year. Brian’s attempt to warn his past self about 9/11 creates a ripple effect, turning their world into a post-apocalyptic nightmare. Filled with Easter eggs for longtime fans, “Back to the Pilot” is a meta-celebration of Family Guy history and arguably the funniest episode.

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