Robert De Niro, a cinematic legend known for his iconic roles, especially within the gangster genre, occasionally treads familiar territory in his later career. However, when he revisits this domain, the results can still be captivating. “The Family,” a 2013 dark comedy directed by Luc Besson, serves as a prime example, offering a zany and violent yet undeniably funny look at a family with a criminal twist. This isn’t your typical wholesome family film, but rather a wickedly entertaining exploration of what happens when mobsters try to go straight – or at least, pretend to.
At the heart of this unconventional family film is Giovanni Manzoni, played with signature gravitas and comedic timing by De Niro. Giovanni is not your average dad next door; he’s a Mafia boss who has turned informant, landing him and his family in the Witness Protection Program. Relocated to a quiet French town, the Manzoni family, now the “Blake” family, are supposed to be laying low. However, for a family with a penchant for solving problems with extreme prejudice, anonymity proves to be a challenge. Giovanni, struggling to suppress his violent tendencies, finds himself resorting to his old ways when faced with everyday frustrations, from plumbing issues to local bullies.
Michelle Pfeiffer shines as Maggie Blake, the matriarch of this anything-but-ordinary family film. Maggie is far from a stereotypical housewife; she’s got a fiery temper and a rather explosive way of handling unpleasant situations, literally. Dianna Agron portrays Belle Blake, the daughter, who is as beautiful as she is dangerous, navigating teenage romance with a distinctly ruthless edge. Rounding out the family is John D’Leo as Warren Blake, the son, a young hustler in the making, demonstrating street smarts and a knack for getting ahead, even in the most mundane suburban setting. These kids are indeed chips off the old block, embodying a pragmatic and fearless approach to life, learned from their decidedly unconventional upbringing. Tommy Lee Jones adds another layer of brilliance as FBI Agent Stansfield, the exasperated handler tasked with keeping this volatile family in check, a near impossible mission that provides much of the film’s comedic tension.
Luc Besson’s direction injects “The Family Film” with a vibrant energy. The script is sharp and witty, delivering rapid-fire dialogue and unexpected bursts of shocking violence juxtaposed with laugh-out-loud moments. The film masterfully balances the dark humor with genuine family dynamics. It explores themes of family loyalty, the challenges of adapting to a normal life after a life of crime, and the inherent difficulties of escaping one’s true nature. While marketed as a comedy, “The Family film” delves into the darker aspects of its characters’ lives, making for a more nuanced and engaging viewing experience than your average family-friendly fare.
De Niro’s performance is undeniably a highlight. This role feels tailor-made for him, drawing on his extensive experience in portraying iconic mob figures. His portrayal of Giovanni is both menacing and hilarious, capturing the character’s struggle to reconcile his violent past with his supposed new life. The chemistry between De Niro and Pfeiffer is palpable, adding depth to their portrayal of a long-married couple navigating extraordinary circumstances. Tommy Lee Jones, with his signature deadpan delivery, provides the perfect foil to the Blake family’s antics.
“The Family film” ultimately succeeds because it’s more than just a gangster comedy; it’s a story about family, albeit a very peculiar one. Beneath the explosions and the dark humor, there are relatable themes of family bonds, growing pains, and the universal desire for survival and belonging. It’s a wild ride, packed with laughter, suspense, and a healthy dose of gangster movie tropes turned on their head. If you’re looking for a family film that’s far from ordinary, and appreciate a blend of dark comedy and action with stellar performances, “The Family” is a highly entertaining choice.
Rating: 7.5/10
