The title “The Reunion” speaks volumes, especially when discussing gospel music legends. While many artists have used “Reunion” to mark comebacks, for the Happy Goodman Family, it was more than just a reunion – it was a monumental, almost divinely orchestrated gathering. The album cover, bathed in rich purples and featuring Howard, Sam, Rusty, and Vestal together against a stark black backdrop, perfectly encapsulated the significance of this recording. It was, undeniably, The Reunion.
The buzz surrounding a new studio album featuring the original lineup of the Happy Goodman Family was palpable. A feature story in the July 1989 issue of Singing News hinted at this exciting project, mentioning a new recording in the works with Howard, Vestal, Rusty, and Sam. For a 17-year-old fan, the news was electrifying. Fast forward to 1990, and “The Reunion” finally arrived in late summer or early fall. A 50-city tour was planned, fueling dreams of witnessing these gospel heroes live on stage for the first time. Tragically, fate intervened. Rusty passed away from cancer in November 1990, followed by Sam less than a year later in August 1991. In retrospect, “The Reunion” became even more poignant, a precious gift that allowed these beloved voices to harmonize together one last time.
Reunion albums, across genres, often struggle to recapture past glories. Sometimes, the spark is gone, the energy diminished, or the magic simply isn’t there. However, “The Reunion” by the Happy Goodman Family defied these odds. Despite age and health challenges, they poured their hearts and souls into this project. Supported by their record label, they crafted an exceptional album with impeccable sound quality. From vocals to arrangements, instrumentation to song selection, and the overall production, “The Reunion” was nothing short of superb, exceeding all expectations.
The album bursts into life with the quintessential Goodman sound in “He’ll Come as No Surprise.” Penned by Ronny Hinson and Marcia Henry, the track opens with a classic fiddle and steel guitar intro, immediately recognizable to any fan. Howard takes the lead on the first verse, with Vestal powerfully delivering the second. Then, in a resounding chorus, the combined voices declare, “THEY’RE BACK!” For a moment, listening to this track, everything felt right in the world of gospel music.
“Able,” an old-time spiritual, follows, and Vestal’s vocal prowess is once again on full display. This standout track leads into the energetic “Revival,” penned by Rick Goodman and David Byerley. Fueled by the fervor of an old-fashioned camp meeting, this invigorating number is ripe for rediscovery and revival by contemporary artists.
Rusty’s performance on “The Greatest Love Story,” written by James Payne and Rick Goodman, echoes the spirit of his iconic performances from the 60s and 70s. Despite his battle with cancer, Rusty’s voice is as rich and powerful as ever, making this track a true highlight of the album.
Howard revisits a cherished Goodman classic, “Will the Lord Be With Me,” from their early years. He delivers this tune with his signature groove, making it another standout moment. Similarly, Vestal’s rendition of Rusty Goodman’s masterpiece, “Standing in the Presence of the King,” is breathtaking. This song showcases Rusty’s enduring lyrical genius, proving his mastery even later in life.
“Thank God I’m in His Care” evokes the vintage charm of Wally Fowler’s “All Night Sings” from 1951. The retro intro sets the stage for this classic number featuring both Howard and Vestal. It’s a thoroughly enjoyable track and a highlight of the recording, showcasing their enduring vocal chemistry.
The tempo slows as Rusty delivers a deeply moving rendition of “Shadow of the Steeple,” a song he co-wrote with Terry Toler. While The Singing Americans had already achieved chart success with this song in 1989, hearing Rusty sing his own lyrics adds an extra layer of emotional depth and significance.
A signature Goodman steel guitar intro heralds an outstanding version of the Ira Stanphill classic, “Mansion Over the Hilltop.” The pace then softens for Sam’s heartfelt solo, “Sweet Morning Song,” his only solo feature on the album. This simple song of praise provides a moment of quiet reflection.
Rusty steps forward one last time with a deeply personal performance of Mike Murdock’s “Lord, Paint my Mind.” Before the album concludes, the energy picks up for the final track, “Don’t Give Up,” penned by Rick. As the song nears its end, the listener is treated to delightful back-and-forth banter between all four members of the group, a fitting and bittersweet conclusion to this remarkable recording and a significant era of gospel music.
Produced by Rick Goodman, “The Reunion” benefited from the talents of several individuals who had been integral to the Happy Goodman Family’s musical journey over the years. Johnny Minick, Harold Bradley, John Hughey, Steve Chandler, and Tanya Goodman-Sykes, contributing as recording engineer, musicians, and background vocalists, among other roles, expertly recreated that signature Goodman magic. Revisiting “The Reunion” reveals its comprehensive nature; it truly encapsulates the diverse musical styles the Happy Goodman Family explored throughout their career. From the raw, early sounds of the 50s and 60s, exemplified by “Will the Lord Be With Me” and “Thank God I’m in His Care,” to the steel guitar and fiddle-prominent era of the early to mid-70s, represented by “He’ll Come as No Surprise,” “The Greatest Love Story,” and “Mansion Over the Hilltop,” and the grand arrangements and background vocals of the late 70s found in “Able,” “Revival,” and “Don’t Give Up,” the album is a rich tapestry. Furthermore, the album features poignant solo performances like “Standing in the Presence of the King,” “Shadow of the Steeple,” “Sweet Morning Song,” and “Lord, Paint my Mind.” “The Reunion” beautifully weaves together these threads of their musical past, creating a unique and nostalgic journey through time.
To fully appreciate “The Reunion,” seeking out the radio special released alongside the album is highly recommended. This hour-long program is filled with captivating stories, shared by Howard, Sam, Rusty, and Vestal themselves, offering insights and anecdotes not found anywhere else. Coupled with the songs from “The Reunion,” it’s an invaluable companion piece. As a college freshman in late August 1990, staying up past midnight in early September to listen to the local radio broadcast of this special is a cherished memory. Listening in the dark of a dorm room, absorbing every word and melody, was an unforgettable experience. Sleep eluded me that night, my mind replaying the stories and songs. My first trip home that September included a pilgrimage to the local Christian music store to purchase “The Reunion.” It felt like discovering gold, and in many ways, it was – pure gospel gold.
This concludes this exploration of the Happy Goodman Family’s music, culminating in “The Reunion.” It is hoped this journey through their remarkable sound has been enjoyable. Next, we will delve into the discography of The Hinsons, another influential country-style gospel group who graced the stage with incredible talent.
